Founded in 2011, Dance Heginbotham is a performance group devoted to the presentation of dance and theatrical work created by Brooklyn-based choreographer and performer John Heginbotham. The work of the company features highly structured, technically rigorous, and theatrical choreography, frequently set to the music of contemporary composers. The company had its world premiere in January of 2012 on the Millennium Stage at The John F. Kennedy Center for the Performing Arts and has since been presented by the Brooklyn Academy of Music, Lincoln Center Out of Doors, Baryshnikov Arts Center, Jacob’s Pillow Dance Festival, The Metropolitan Museum of Art, and Carolina Performing Arts, among others.
John is the winner of the 2014 Jacob’s Pillow Dance Award and is a two-time recipient of the Jerome Robbins Foundation New Essential Works (NEW) Fellowship Grant (2010, 2012). In addition to his work with Dance Heginbotham, John’s choreography has been seen at Dance Theater Workshop, The Museum of Modern Art, Joe’s Pub at The Public Theater, and the New York and Toronto Fringe Festivals, among other venues. He has created work for the Cork Opera House (Cork, Ireland), Dartmouth College, The Juilliard School, Purchase College, Princeton University, Long Island University, The Wooden Floor (Santa Ana, CA), Big Apple Baroque, Oasis Theater (Minneapolis, MN), art/pop group Fischerspooner, and the cabaret artists Lady Rizo and the Assettes and Our Lady J. A frequent collaborator with live music, John has worked with numerous composers and ensembles including string quartet Brooklyn Rider, Alarm Will Sound, the Raymond Scott Orchestrette, Jesse Blumberg, Tyondai Braxton, Colin Jacobsen, Gabriel Kahane, and Shara Worden (also known as My Brightest Diamond). In December 2013, he choreographed Isaac Mizrahi’s Peter and the Wolf at the Guggenheim Museum, and collaborated with Mizrahi again this spring on The Magic Flute at the Opera Theatre of Saint Louis.
Originally from Anchorage, Alaska, John graduated from The Juilliard School in 1993, and was the recipient of the Martha Hill Prize for Outstanding Achievement and Leadership in Dance. He has danced in the works of Pam Tanowitz, John Jasperse, Rebecca Stenn, Janis Brenner, Allison Chase, David Neumann, Ben Munisteri, Stanley Love, Vanessa Walters, and Pilobolus Dance Theater (guest artist). From 1995 – 1998, he was a member of Susan Marshall and Company, originating roles in her evening-length works, The Most Dangerous Room in the House and the award-winning dance opera composed by Philip Glass, Les Enfants Terribles. John was a member of the Mark Morris Dance Group from 1998 – 2012. As a member of MMDG, he performed across the United States and internationally with artists including Mikhail Baryshnikov, Yo-Yo Ma, Emanuel Ax, The Bad Plus, Zakir Hussain, and with opera companies including The Metropolitan Opera, New York City Opera, and the English National Opera.
As a teacher, John offers dance master classes in the United States and abroad. He has taught at institutions including the University of California, Berkeley, George Mason University, the University of Illinois at Urbana-Champaign, the University of Washington, and The Laban Centre in London. He is currently on faculty at Princeton University and the Mark Morris Dance Center, and is a founding teacher of Dance for PD®, an ongoing collaboration between the Mark Morris Dance Group and the Brooklyn Parkinson Group.